Heroes (2022)
Explore heroism, loyalty, and martial arts in the intense wuxia drama ‘Heroes’ (2022). Uncover the true meaning of valor and friendship.
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Info
| Original Title | 说英雄谁是英雄 |
|---|---|
| Formats | Streaming |
| Seasons | 1 |
| Episodes | 38 |
| Duration | 47 mins |
| Status | Ended |
| Year | 2022 |
| First Air Date | May 23, 2022 |
| Last Air Date | June 27, 2022 |
| Broadcast Day | monday, tuesday, wednesday |
| Network | Tencent Video |
Trailer
Synopsis
It tells the story of Wang Xiaoshi, a kind-hearted young man who traveled down the mountain and entered the arena for the first time. By chance, he met Bai Choufei, Wen Wen, Su Mengzhen, etc., and established a lifelong friendship with them. The story of brotherly loyalty, lingering red dust, and gradually growing from an ignorant teenager to a "hero" in the process.
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Editor's Review
A Melodramatic Exploration of Heroism
In the vast expanse of wuxia dramas, where martial arts prowess and honor intertwine, “Heroes” (2022) emerges as a dark and intensely melodramatic tale. Adapted from Wen Rui An’s novel “Shuo Ying Xiong Shei Shi Ying Xiong,” this series poses a provocative question: Who truly embodies heroism?
The story follows Wang Xiao Shi, a kind-hearted young man leaving his mountain home for the first time. His encounters with Wen Rou, Bai Chou Fei, and Su Meng Zhen forge lifelong friendships. Set against the backdrop of a bustling capital city, where capability reigns supreme, “Heroes” delves into brotherhood, romance, and the complexities of heroism.
What sets “Heroes” apart is its refusal to anoint a singular protagonist. Instead, it invites viewers to ponder: Who, among these characters, wears the mantle of a hero? The martial artists—known as 大侠 (dàxià)—wield legendary weapons, their feats echoing through 江湖 (jiānghú) lore. Yet, as the saying goes, 一山还有一山高 (there is always a higher mountain). The outcome of their encounters remains uncertain until tested in combat.
Director Li Mu Ge’s camera work masterfully captures wuxia’s essence—the wild landscapes, the spirit of adventure, and the air of intrigue. From vast terrains to profound fatalism, each frame resonates. However, the fight scenes, while visually stunning, occasionally suffer from over-choreography. The discontinuous slasher shots, stitched together, lack the fluidity one expects.
Joseph Zeng’s portrayal of Wang Xiao Shi evolves seamlessly—from earnestness to duty, justice, and the pain of loss. But the heart of the story lies in the bond between the three sworn brothers. Their loyalty, tested by fate, underscores the show’s central theme: heroism transcends mere physical prowess.
The haunting question—“Who is a hero?”—echoes throughout. Is it the sword-wielding warrior or the one who sacrifices silently? “Heroes” leaves us pondering, refusing easy answers. Perhaps, in a world where mountains rise higher, heroism lies not in grand gestures but in steadfast bonds and unwavering convictions.
The aesthetics—vast landscapes, intricate costumes, and evocative music—immerse us in a realm where honor and treachery dance. As the House of Sunset Drizzle clashes with the Six-Half Hall, alliances shift, mysteries unravel, and friendships endure. The flute-playing leads add a poetic touch, their melodies weaving through the narrative.
In summary, “Heroes” (2022) invites us to redefine heroism. It reminds us that true valor lies not in invincibility but in the choices we make, the friendships we forge, and the legacy we leave behind. So, as the sun sets over the jianghu, we ask once more: Who, indeed, is the hero?